"Stunning, stunning artwork!" Source. |
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Alisik is a girl just died and woke
up the cemetery, not really understanding what’s happening to her or whatever
led to her death, and needs the help of her new friends, dead as well, to deal
with the new rules and conditions that apply to the spirits in this charming universe
as she find herself falling in love with a living boy.
Written with a good dose of humor
and cruel jokes concerning her new state, Alisik discovers there’s more than
meets the eye when speaking about the dead and their graveyard, along with the
beings she will meet during this new existence of hers.
This first issue is pretty simple,
betting more on artwork than in the actual plot, with only a couple of brief,
yet curious scenes that introduce the world Rufledt and Vogt have created for
this gothic ghost. The reading very fluent, linear and with charismatic
characters that the reader feels real whenever they appear.
The reading process was only interrupted
for good reasons: stunning, stunning artwork! The design used in each of the
characters made me remember Tim Burton’s stop-motion films, creating a
mythology very similar to some works by Neil Gaiman. I first frowned when I
read those two masters as a reference for Alisik, but you can trust me on this
one: it’s fair to include them.
The dark tones used for the comic
and the inner pages were a marvel. Somehow, these guys were able to create
dark, creepy environments, nocturnal fantasy landscapes that didn’t need black
to be the first choice. Blues, purples, reds, greens and even greys and whites
combine to create an appealing aesthetic.
There were some panels and pages
where no words were needed, using the silence, the absence of dialogues and any
other kind of sound to build tension or draw the reader even nearer to the
scenes. I admit that I have a predilection for this and it really gives me a
good impression of what I’m reading, which Alisik achieved with ease. When
texts and dialogues were required, these felt natural, organic, and blended
with the environment, all of the art, not bothering at all.
However, it left me with a
bittersweet taste when I realized that I reached the end of the first issue
because of that: I had too much of the art, of the lettering, the characters,
but just too little, if anything, of the story. We only know the basics when we
reach the final page of Alisik #1. Not what I expected, but if I’m not
mistaken, then there are other three issue coming.
It’s worth keeping an eye on this comic, which is already on the stores and available for everyone. As by me, I’ll be not-so-patiently waiting for the next issue to be ready.
It’s worth keeping an eye on this comic, which is already on the stores and available for everyone. As by me, I’ll be not-so-patiently waiting for the next issue to be ready.
Visit Alisik!
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